Antonín Dvořák (1841–1904)
Terzetto in C major, Op. 74

1. Introduzione: Allegro ma non troppo
2. Larghetto
3. Scherzo: Vivace – Trio: Poco meno mosso
4. Tema con Variazioni

Chris Rogerson (*1988)
Lullaby: no bad dreams

Richard Strauss (1864–1949)
Sonata for Violin and Piano in E-flat major, Op. 18

1. Allegro, ma non troppo
2. Improvisation: Andante cantabile
3. Finale: Andante – Allegro

ADDITIONAL PERFORMERS
• Jake Shim, violin
• Sam Rosenthal, viola
• Avery Gagliano, piano

A drink on the evening of the concert is included in the ticket price for the Wednesday Concerts.

 Subject to change.

Mieczysław Weinberg (1919–1996)
Piano Sonata No. 5, Op. 58

Frédéric Chopin (1810–1849)
Piano Sonata No. 2 in B-flat minor, Op. 35

Georges Enescu (1881–1955)
Carillon nocturne from Suite No. 3, Op. 18

Claude Debussy (1862–1918)
Selection from “Images”, Book 2

Earl Wild (1915–2010)
Seven Virtuoso Études on Gershwin Songs

Programme subject to change

An artist of exceptional calibre, predicted to have a great future, with outstanding musical intelligence, the highest interpretative quality, and that rare charisma reminiscent of the ideal of musical genius.

Karol Szymanowski (1882–1937) 
4 Etudes, Op. 4

Frédéric Chopin (1810–1849) 
12 Etudes, Op. 25

Robert Neumann (b. 2001) 
4 Etudes-Tableaux (Commentary by the composer)

Franz Liszt (1811–1886) 
“Après une lecture de Dante” (Fantasia quasi Sonata)

Tickets plus fees available from July at www.frankfurtticket.de or via the ticket hotline +49 69 13 30 400.

Subject to change.

Organizer: International Piano Forum Frankfurt

Anyone who performs under such a prestigious title at a young age has already travelled a remarkable path of consistent work and artistic development. Whose artistic signature will ultimately be crowned with the International German Piano Award?

The programme will be announced at a later date.

Tickets plus fees available from July at www.ipf-frankfurt.com/tickets/ or via the ticket hotline +49 69 79 53 48 20.

Subject to change.

Organizer: International Piano Forum Frankfurt

The award ceremony is drawing noticeably closer. In 45-minute piano recitals, the two finalists each offer a focused insight into their artistic signature and interpretative depth. In this decisive phase, personality, maturity, and vision come into sharper focus — another step on the path towards the presentation of the International German Piano Award.

The programme will be announced at a later date.

Tickets plus fees available from July at www.ipf-frankfurt.com/tickets/ or via the ticket hotline +49 69 79 53 48 20.

Subject to change.

Organizer: International Piano Forum Frankfurt

Ludwig van Beethoven (1770–1827)
Piano Concerto No. 4 in G major, Op. 58

Alternatively:

Camille Saint-Saëns (1835–1921)
Piano Concerto No. 2 in G minor, Op. 22

INTERMISSION

Pyotr Ilyich Tchaikovsky (1840–1893)
Piano Concerto No. 1 in B-flat minor, Op. 23

Tickets plus fees available from July at www.frankfurtticket.de or via the ticket hotline +49 69 13 30 400.

Subject to change

Organizer: International Piano Forum Frankfurt

The programme is curated by the students themselves and will be announced at a later date.

The ticket price for the Wednesday Concerts includes one drink on the evening of the concert.

Subject to change. 

Vivaldi’s Four Seasons has been one of the best-known works in music history for more than 300 years. The Jánoška Ensemble has brought this work into the 21st century with newly composed passages, joining forces with the young string players of the Kronberg Academy to combine Baroque splendour with improvisation, rhythmic freedom, and virtuoso joy in performance.

The result is a fresh and lively interpretation that approaches the original with respect while being full of energy, spontaneity, and surprising moments.

Subject to change

Virtuoso masterpieces for violin and piano are at the heart of this programme. The Janoska Ensemble presents works by Paganini, Kreisler, Liszt, Waxman, and other composers in its own distinctive voice — the Janoska Style.

Technical brilliance, improvisational freedom, and profound musicality merge in an interpretation that is spontaneous, passionate, and marked by the highest virtuosity.

Subject to change