Julian Rhee
Violin & Viola Masterclasses, participant
Kronberg Academy Professional Studies with Christian Tetzlaff, funded by the Alexander and Christine Sieber patronage
Winner of the prestigious 2024 Avery Fisher Career Grant, Korean-American violinist Julian Rhee has enthralled listeners internationally, receiving praise for his refinement and beauty of sound, and "the kind of poise and showmanship that thrills audiences" (The Strad). His passion for all forms of collaboration has taken him around the world, producing a thoroughly sensitive and informed artist.
Rhee came to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal finish at the 11th Quadrennial International Violin Competition of Indianapolis.
Since his Milwaukee Symphony Orchestra debut at the age of eight, Rhee has gone on to perform with orchestras across the world, such as the Belgian National Orchestra, Indianapolis Symphony, Antwerp Symphony, Santa Rosa Symphony, Pittsburgh Symphony, East Coast Chamber, Eugene Symphony, Madison Symphony and San Diego Symphony, as well as with acclaimed conductors such as Francesco Lecce-Chong, Nicolas McGegan, Hugh Wolff, Antony Hermus and Leonard Slatkin, among others. Recent and upcoming engagements include appearances with the Orchestra Royal de Chamber de Wallonie, Württemberg Chamber Orchestra of Heilbronn and Indianapolis Chamber Orchestra, a tour of Scotland as part of the Chamber Music Society of Lincoln Center, as well as a production of Lera Auerbach´s complete 24 Preludes for Violin and Piano with the Hamburg Ballet and John Neuemeier.
Equally passionate about chamber music, Rhee is the newest member of the Chamber Music Society (CMS) of Lincoln Center’s prestigious Bowers Program. He has performed at and attended festivals including the Ravinia Steans Institute, Marlboro Music and North Shore Chamber Music Festival, performing alongside esteemed musicians such as Vadim Gluzman, Jonathan Biss and Mitsuko Uchida.
Rhee is the recipient of the outstanding 1699 "Lady Tennant" Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan thanks to the generosity of the Mary B Galvin Foundation and the Stradivari Society.
Rhee has studied with Hye-Sun Lee and Almita Vamos, and received his Bachelor´s and Master´s degrees as teaching assistant of Miriam Fried at the New England Conservatory.
Since October 2024, he has been studying at Kronberg Academy with Christian Tetzlaff. His studies are funded by the Alexander and Christine Sieber patronage.
CHRISTIAN TETZLAFF & FRIENDS I
Participants
- Christian Tetzlaff violin
- Hana Chang violin
- Brian Isaacs violin
- Charlotte Spruit violin
- Julian Rhee violin
- Simon Tetzlaff cello
- Benjamin Kruithof cello
- Kiveli Dörken piano
Programme
Joseph Haydn (1732–1809)
Quartet in G minor for two violins, viola and cello, Op. 20 No. 3
Béla Bartók (1881–1945)
Excerpts from 44 duets for 2 violins
Antonín Dvořák (1841–1904)
Trio No. 2 in G minor for piano, violin and violoncello, Op. 26
Concert without intermission
Subject to change.
CHRISTIAN TETZLAFF & FRIENDS II
Participants
- Christian Tetzlaff violin
- Charlotte Spruit violin
- Julian Rhee violin
- Dmytro Udovychenko violin
- Sào Soulez Larivière viola
- Benjamin Kruithof cello
Programme
Antonín Dvořák (1841–1904)
Terzetto in C major for two violins and viola, Op. 74
Josef Suk (1929–2011)
Four Pieces for Violin and Piano, Op. 17
Intermission
Franz Schubert (1797–1828)
String Quintet in C major, Op. posth. 163 D 956
Subject to change.
CHRISTIAN TETZLAFF & FRIENDS III
Participants
- Christian Tetzlaff violin
- Hana Chang violin
- Brian Isaacs violin
- Charlotte Spruit violin
- Julian Rhee violin
- Dmytro Udovychenko violin
- Simon Tetzlaff cello
- Benjamin Kruithof cello
- Brian Isaacs violin
Programme
Jörg Widmann (1973–
Quartet No. 2 for two violins, viola and cello ‘Choral Quartet’
Béla Bartók (1881–1945)
Excerpts from 44 duets for 2 violins
Johannes Brahms (1833–1897)
Trio No. 3 in C minor for violin, cello and piano, Op. 101
Subject to change.