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Brannon Cho / Photo: Carlin Ma

Brannon Cho
*1994 in the USA

Studies with Frans Helmerson

Kronberg Academy Professional Studies

funded by the Gerhard and Dorothea Berssenbrügge Stipendium

Brannon Cho

cello

Born in New Jersey, cellist Brannon Cho gained his bachelor’s degree from the Northwestern Bienen School of Music where he studied with Hans Jørgen Jensen. He subsequently completed studies with Laurence Lesser at the New England Conservatory, receiving his Artist Diploma in 2019, and since October of this year has been studying at Kronberg Academy with Frans Helmerson.

Brannon Cho won first prize in the prestigious International Paulo Cello Competition in 2018 and was also placed in the Queen Elisabeth Competition in 2017. He won second prize in the 2015 International Walter W. Naumburg Cello Competition as well as third prize in the Gaspar Cassadó International Cello Competition in 2015.

Cho has performed as a soloist with many noted orchestras, including the Helsinki Philharmonic Orchestra, the Minnesota Orchestra, Tokyo Philharmonic Orchestra, Brussels Philharmonic and the Orchestre Philharmonique Royal de Liège. In so doing, he has collaborated with world-renowned conductors such as Susanna Mälkki, Stéphane Denève and Christian Arming.

As a chamber musician, Cho has already shared the stage with artists including Christian Tetzlaff, Gidon Kremer and Joshua Bell. His performances in this guise include participation in the 2018 Marlboro Music Festival, Chamber Music Connects the World 2016 at Kronberg Academy, the Music@Menlo Festival, Verbier Festival Academy and the Gstaad Menuhin Festival Academy. In addition, he took part in the Cello Masterclasses at Kronberg Academy in 2012, 2014 and 2016. Cho was awarded the CME International Performing Arts Grant in 2015 as well as a scholarship from the International Music Academy in the Principality of Liechtenstein.

Brannon Cho plays a cello by Antonio Casini dating from 1668 (Modena, Italy).

Since October 2019 he has been studying at the Kronberg Academy with Frans Helmerson. The study are funded by the Gerhard and Dorothea Berssenbrügge Stipendium.

Last updated: August 2019